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Report on "No Limit Tokyo festival"
การเสวนาเล่าถึงประสบการณ์จากการไปเข้าร่วมเทศกาล "No Limit" ที่เมืองโตเกียว เมื่อวันที่ 11 - 17 กันยายน 2559 ที่ผ่านมา ซึ่งเทศกาล "No Limit" ครั้งนี้ถือเป็นการบุกเบิกการจัดงานแบบ......แบบที่ไม่สามารถหาคำจำกัดความถึงตัวเทศกาลได้!! หัวข้อเสวนาคือ ความแตกต่างระหว่าง underground art ในไทย กับของประเทศอื่นๆในเอเซีย, แนะนำเทศกาล "No Limit" ในทัศนะของผู้เสวนาว่าทำไม มันจึงสนุกจังและอะไรคือแนวคิด/ปรัชญาที่อยู่เบื้องหลังความสนุกและไร้คำจำกัดความเหล่านี้

เล่าประสบการณ์โดย
อโณทัย อูปคำ และ ชินยะ อะกุตากาวะ

วันศุกร์ที่ 14 ตุลาคม 2599 เวลา 18.00-19.30 น.

ข้อมูลเพิ่มเติมติดต่อ
082 898 6584 อ๋อง

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Report on “No Limit Tokyo festival”
:An autonomous zone, funny activities and How to maintain?
October 14th from 6 - 7.30 pm.
Speakers:
1. Anothai Oupkum
2. Shinya Akutagawa (with documentary film)
Admission: Free
Language: Thai, English, Japanese in Summary.

The role of art is significantly changing. It is the time to rethink the fundamental principle of the relation between the arts – society before we give an account of the thing to the Arts. A lot of things are waiting for us: public-private, politically inspired, spectator-ship, participatory, monetary system… we might need the time and space that keep distance from The System for the purpose of primary idea.

The introduction of the underground event, NO LIMIT TOKYO in Tokyo. They provoked “all around Asia there are people doing as they please, making music, art, and mysterious spaces, saying we won’t be swept up with the dominant current of the world so easily, we’re gonna do the things we want to do in our own way in a growing underground cultural area. We can find places to sleep and food without hassle and to top it off, we can hang out and party with nolimit, even if the world is a total disaster, its nothing more than a fart for the Manuke cultural sphere”

Context:
Anothai Oupkum: why Thai underground art is different from another Asian underground art .The introduction of the festival “No Limit Tokyo” from her point of view why this festival is really fun and an unprecedented festival.

Shinya Akutagawa: the study of background of their activities, motivations: how and why young generation of Asian resists consumption society, what is the motive for their activities. ideas of space, share, autonomy, money, public and private sphere etc.

About Speakers:
Anothai Oupkum, a Bangkok base curator and researcher, graduated with Master of Fine Arts in Art Theory from Silpakorn University (2014) and Bachelor of Fine Arts from Faculty of Fine Arts, Chiang Mai University (2008). Her current research is on The Role and influence of project 304, an alternative space in Thai contemporary art. She also writes articles about an alternative contemporary art space. Moreover, Anothai has interests on the history and the urban development that has influence on contemporary art and culture in this region as well as the contemporary photography in Southeast Asia.

Shinya Akutagawa, originally from Fukuoka city, Japan in 1980, based on Bangkok, is an individual artist, working with art animation, video, sound and installation and often combines interactive and architectural ideas with computer programming. Since 2012 his interest turned to several Asian countries in particular South East Asia where he researched their ‘post- modern' situations. Investigates individual ideas and personalities under the influence of globalization and urban life. (now studying in Chulalongkorn University Southeast Asia Studies (international) in Bangkok.

For more information please contact :
082 898 6584 Ong
[email protected]
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